Italodance, Nu Italodisco, Nu-Italo or simply Italo is a musical genre derived from Eurodance and mainly produced in Italy, which became popular in the late 90s and early years of the third millennium. It originates from the Italodisco of the 80s.
Apart from the name and cataloging among the sub-groups of dance music, Italodisco and Italodance have little in common. The first name by which this genus was called was "Mediterreanean Progressive".
It is a dance genre with more melodic sounds and cheerful tones. Based largely on the melody composed of the chorus and the main theme, the sound is characterized by riffs of synthesizers, vocals modified with the vocoder, simple and easy-to-grip choruses and a line of bass features with a metallic sound.
He has a positive and cheerful style; the texts focus mainly on themes such as love, parties, dancing and the expression of feelings. Most of the texts are in English, but it is not difficult to find in Italian. Equally common is the use of vocoder.
Almost all Italodance tracks contain percussion produced by synthesizers with a metallic sound similar to the bass sounds of a tuba. The most common rhythm is around 140 BPM although it can range between 60 and 150 beats per minute.The natural and generic effect of music in us does not derive from harmony but from sound, which electrifies and shakes us at the first touch even when it is monotonous.
This is what music has special over the other arts.

Eurodance (sometimes known as euro-NRG or euro) is a genre of electronic dance music that originated in the late eighties in Europe. It combines many elements of techno, hi-NRG, house and euro disco.
This kind of music is strongly influenced by the use of intense melodic voices, or exclusively by themselves, or together with rapped verses. This, combined with cutting-edge synthesizers, strong bass rhythms and melodic sounds, establishes the main foundation of Eurodance music. Eurodance production continues to evolve with a more modern style.
It reached its peak at the Ibiza summer festivals in 1994 in Spain and its intense popularity spread all over the world, which continued until 1996.

Electronic dance music (also known as EDM, dance music, club music, or simply dance), is a wide range of electronic percussion musical genres created especially for discos, raves and festivals. EDM is generally created to be reproduced by disc jockeys (DJs) that create a selection of seamless tracks, called mixes, that follow one another without interruption from one recording to another. EDM producers also perform their live music in the context of a concert or festival, in what is sometimes called a live PA. In the United Kingdom and continental Europe, EDM is more commonly called "dance music" or simply "dance". In the late eighties and early nineties, following the emergence of rave music, pirate radio and an increase in interest in club culture, EDM gained mainstream popularity in Europe. During the mid and late nineties, despite the initial success of a number of groups in the United States, the acceptance of dance culture was not universal, and the mainstream media remained hostile to music. In this period, a perceived association between the EDM and the drug culture led the state governments and citizens to promulgate laws and policies aimed at stopping the spread of rave culture.

The deep house is a genre of dance music born in Chicago in the second half of the eighties as a sub-genre of house music. Compared to the Chicago House it is slower (122-127 bpm), with an almost hypnotic and melodic trend; it also incorporates jazz influences within it. The denomination "Deep" (deep) derives from the deep bass sound usually present in songs of this genre.
Generally the Deep tracks are characterized by pads that give a deep sound, similar to those used in the chill out and in the lounge. Very important are the electric pianos, first of all the Fender Rhodes, in its models Mark I and Mark II, followed by the Wurlitzer planes. In the tracks there are often only blues typically jazz instruments such as sax or trumpet. In addition, the chords and scales of the melodic part of the Deep pieces are always Soul's standards and above all Jazz. Because of these characteristics, with a going and relaxed rhythm and its refined sounds, Deep House is often used in high fashion shows and is considered as the dance version of genres such as Nu jazz and Lounge.

The Tropical house is a sub-genre of the deep house and the house born during the first half of the years 2010 following the current of the EDM. The term was coined by the popular DJ and Australian producer of Tropical House, Thomas Jack. Artists of this kind were highlighted during various festivals, such as the exhibition of Bakermat at the Bakermat and Friends at Tomorrowland 2014.
The term "tropical house" (often abbreviated as "Trop House") was used as a game by DJ and Australian producer Thomas Jack, found under pressure in trying to give a name to his music, born under the influences of summer atmospheres and the beach . From that moment on the name took its share and began to be used by listeners to label this style of music.
Tropical house is a sub-genre of the deep house, which in turn is a sub-genre of the house. It therefore possesses characteristics typical of house music, including the synthesizer and the 4/4 rhythm pattern, used mainly in EDM.

The chillstep music is a musical crossover of the Dubstep genres (electronic genre brought to success thanks to its dark and violent atmospheres characterized by a strong presence of bass and distortions and time generally calibrated at 140 bpm) and Chillout (introspective and relaxing music that sometimes comes replaced in the crossover, for easy assonance, to Trance music).

Electro Latino is a musical genre that originated in Spain and Latin America, in 2010 the result of the mix of tech-house genres and Latin rhythms such as merengue, among others.
It is a musical genre that begins to be known in 2007 in Spain and Latin America. It is a genre that derives from the mixing of electronics with Latin-based musical genres. The creator considered of this kind is Juan Magán, who since 2008 has started to create music of these characteristics with songs such as Mariah and Verano Azul.These two songs are considered the pioneers of this genre. Beginning in 2011, the genre began to become more popular and other artists known around the world as Pitbull, Shakira, Enrique Iglesias or Jennifer López begin to incorporate this new style to their songs.

Reggaeton is a genre of dance music that originated in Puerto Rico in the nineties. Its origins are however to be found in reggae music sung in Spanish in Panama still in the seventies. In the early 2000s it spread also to the rest of the world: in North America, then also in Europe, through Spain, first as a kind of niche and purely for dancing and then also as a commercial genre.
The reggaeton mixes Jamaican music with influences of reggae and dancehall, with rhythms of Latin America such as bomb and plena, and typical sounds of Hip-hop music. Music is also combined with Spanish rapping. The influences of this kind have spread among the broader Latin American communities of the United States as well as among the public of Central and South America. The sound of reggaeton is characterized by a recitative style and a syncopated rhythm produced electronically, accompanied by different melodies, which serve as support; this rhythm has the characteristic synchronization that drives most of the songs. The reggaeton, like its ancestor, the regge in Spanish, presents aspects influenced by other styles that are heard in Jamaica, inspired by Afro-Caribbean sounds, such as the calypso and the soca. Although this genre is influenced by styles such as hip hop and Jamaican dancehall, it is wrong to define reggaeton as the "Latin" version of these genres. In that, reggaeton has its own specific beat and its own peculiar rhythm, considering that Latin rap is simply hip hop recorded by artists with Latin American ancestry.
The typical rhythm of reggaeton is identified with the term "Dem Bow", which derives from the title of a Jamaican dancehall song, written by Shabba Ranks, which popularized and helped the spread of this type of rhythm in the early 90s. The tempo is generally 4/4, and the rhythmic basis of a typical Reggaeton joke is composed of a cash-stroke that lasts a crotchet episode, a snare stroke lasting an eighth note, a cash shot of a quarter note and a snare shot also from a quarter note. In almost all reggaeton recordings, the case has few basses compared to other electronic genres, with a peak instead on the mid-high frequencies that accentuates the prominent effect in the audio mix. This rhythm also features characteristics of the dance hall and raggamuffin styles, as well as a series of elements that can be encountered in Hip-hop. The reggaeton, like any style, has its own rhythmic structure of the text that tends to resume that of Hip-hop. As in the latter, artists tend to recite their texts with a common technique called rapping instead of singing as usual. Despite this, there are also those who mix the two techniques in the same song, to give a touch of originality.